Film studies

“Superschlock!” – The Extremity of George A. Romero’s Dawn of the Dead (1978)

In a new book in Auteur’s ‘Devil’s Advocates’ series, author Jon Towlson explores the excesses of George A. Romero’s zombie masterpiece Dawn of the Dead. After the 1979 Dallas Film Festival screening of Dawn of the Dead at the Bob Hope Theatre on Southern Methodist University Campus, George A. Romero was accosted by a group … Continue reading