Premium institutional subscriptions include access from 1959. Extrapolation was founded in 1959 by Thomas D. Clareson and was the first journal to publish academic work on science fiction and fantasy. It continues to be a leading, peer-reviewed, international journal in that specialized genre in the literature of popular culture. It welcomes papers on all areas of … Continue reading
Strategic Partnership between the Voltaire Foundation (University of Oxford) and Liverpool University Press
The Voltaire Foundation (VF) and Liverpool University Press (LUP) have agreed a strategic partnership for the publication of the long-running series Oxford University Studies in the Enlightenment. With effect from August 2018, LUP will assume responsibility for publishing 11 new Oxford University Studies in the Enlightenment titles per annum in print and digital format, and will make more … Continue reading
Blood Child, Myths and Fairytales: In Conversation with Eleanor Rees
Natalie Bolderston caught up with Liverpool-based poet, and author of Blood Child, Eleanor Rees, to chat about poetry as an art-form, fairy tales, and how Liverpool is always present in her writing. For many years, you have worked in participatory art as a creative workshop leader. Has this affected your writing in any way? Yes working … Continue reading
MLO authors can now use Kudos to promote their research
Authors published on Modern Languages Open, a peer-reviewed platform for the open access publication of research from across the modern languages, can now use Kudos to promote their research. Liverpool University Press is partnered with Kudos – a service that provides tools for researchers to maximise the visibility and reach of their published journal articles – in order … Continue reading
‘Rin-Tin-Tin and the Cancan’
In his new book, Montmartre: A Cultural History, Nicholas Hewitt delves into the history of the neighbourhood to discover how the bohemian cultural hub pioneered the new the avant-garde in painting, theatre and literature. ‘What is Montmartre? Nothing. What must it be? Everything’, proclaimed Rodolphe Salis in 1881, when his cabaret Le Chat Noir launched an … Continue reading
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