Modern Languages

Open Access and Modern Languages Open – In Conversation with Luis I. Prádanos and Julia Waters

To celebrate 120 years of Liverpool University Press, we’re focusing on a different theme each month. During April, we’ve been focusing on Open Access. Modern Languages Open (MLO) is a platform for the open access dissemination of peer-reviewed scholarship from across the modern languages to a global audience. Recent publications which have been added to MLO include Luis I. Prádanos’ Postgrowth Imaginaries: New Ecologies and Counterhegemonic Culture in Post-2008 Spain and Julia Waters’ The Mauritian Novel: Fictions of Belonging. We spoke to these authors to find out more about their experience with Open Access and MLO.

What made you decide to explore Open Access for your monograph?

LP: I wanted my book to be freely available not just to other scholars with access to university libraries, but also to all students and activists that could find it useful. Also, I work as a professor in a public university and therefore I consider that my scholarly work should be public.

 JW: My decision to explore Open Access publication for my monograph, The Mauritian Novel: Fictions of Belonging, was motivated by its subject-matter, its likely readership and the timing of its publication. Due to be published in the year in which Mauritius celebrated 50 years of independence, when significant international attention was already being paid to post-colonial Mauritian society and culture, I was keen that my book be readily and promptly available. My book explores many of the historical, political and socio-cultural factors that make belonging – its key thematic and conceptual focus – such a central but fraught issue in contemporary Mauritian literature.  Open Access would make my findings available to a wide range of scholars working on related topics in different disciplines, as well as to scholars of Mauritian, Indian Ocean and postcolonial francophone literatures from around the world.  Key readerships for the monograph’s findings are from Mauritius, India, Africa and the Indian Ocean region. At £80 in hardback and £30 in paperback, the cost of conventional paper copies would have made my book prohibitively expensive for several of the book’s most crucial international audiences.

Do you think it was important that the topic of your work specifically be freely available?

 LP: Yes, my work challenges the dominant economic imaginary and its dependency on constant growth for exacerbating social inequality and ecological depletion. I did not want for my book to become one more commodity to fuel the growth machine I was criticizing. Capitalism is a theory of scarcity and it actually needs to create scarcity to be able to profit from something that is not scarce. Knowledge is abundant and does not get depleted when somebody uses it. Quite the opposite, the more knowledge is shared the more it grows. Capitalism creates perverse mechanisms to restrict access to knowledge in order to make it artificially scarce and be able to make it into a commodity and profit from it.

JW: My monograph is the first book-length study in English on twenty-first-century francophone Mauritian fiction. Its focus on the under-researched, affective dimension of belonging and its intersections with the ‘politics of belonging’, as portrayed in recent Mauritian novels, makes an original, significant contribution to the recent expansion of research on Indian Ocean cultures. Through original, close textual analyses of individual novels or pairs of novels by leading contemporary Mauritian writers, mine is the first book to examine Mauritian literary responses to the inter-ethnic ‘Kaya’ riots of 1999 and to the problems of belonging and exclusion that they exposed. Although published with a UK-based academic publisher, Open Access publication thus makes my book’s findings easily accessible to scholars, students and general audiences in the Indian Ocean region and beyond. My book’s new, multidimensional approach to understanding issues of belonging and exclusion in diverse, multi-ethnic societies will also, I hope, be of interest to a broader academic audience, who, with Open Access publication, are able to access my findings freely.

Has there, to your mind, been more engagement with your work due to it being Open Access? How do you think the MLO platform has encouraged people to engage with your work?

LP: Sure, I know that some professors are already assigning parts of the book into their courses because it is convenient and students do not need to buy anything. I also know that some people in Latin America and Spain are reading it because it is available open access.

JW: It is hard to tell, at this early stage, whether engagement with my work has increased as a direct result of its being Open Access. I think there will always be a place for traditional hard copies and library holdings: anecdotally, I think academics like to ‘try out’ books and articles online and then, if they find them useful, they still like to buy their own copy. I also think that reviews in academic journals and other fora still play an important part in promoting and disseminating new research. What has definitely been particularly gratifying, however, has been the response from the authors whose works I discuss in my book: they were pleased to be able to read my analyses of their novels ‘hot off the press’ and several have since been in contact with their responses and appreciations. I’m convinced that this kind of immediate, productive exchange between literary authors and academic critic, despite the great geographic distance, would not have been possible – or, at least, not in such an instant, interactive, responsive fashion – with more conventional publication.

How important do you think it is for modern languages research to become more accessible?

 JW: Modern Languages research is, by nature, multidisciplinary and speaks to multiple audiences in different countries and different cultural and academic contexts: notwithstanding the potential barriers of publishing just in English, Open Access does make this research more accessible to these different audiences across the globe.

With the increasing shift to Open Access how do you think modern languages, or the humanities as a whole, might be affected?

 JW: There will inevitably be a period of transition and adaptation, as Open Access gradually gains ground on conventional, hardback and paperback publishing. The economic model for publishing, particularly for small, academic publishers, will need to be radically rethought. But academics themselves have always been motivated more by making their research available to as wide an audience as possible than they have by financial profit: Open Access makes the latter ambition far more achievable. I am confident that Modern Languages research is well-placed to benefit, longer term, from the technological advantages of Open Access publication.  

For more information on Postgrowth Imaginaries please visit our website or read it for free on Modern Languages Open

For more information on The Mauritian Novel please visit our website or read it for free on Modern Languages Open.

 Liverpool University Press is a proud supporter of Open Access publishing with over 40 OA monographs currently available. You can find out more about our OA policy here and browse some of our OA titles on the OAPEN library

 

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Modern Languages

Postgrowth Imaginaries – In Conversation with Luis I. Prádanos

The most recent publication in the Contemporary Hispanic and Lusophone Cultures series is now available! The work is also open access and is available on Modern Languages Open and the Oapen Library. We caught up with author Luis I. Prádanos to discuss Postgrowth Imaginaries.

Postgrowth Imaginaries cover

Firstly, could you tell us a bit about Postgrowth Imaginaries and what compelled you to focus your research in this area?

I wanted to understand the cultural dimension of the ecological crisis and its relation to the economic dominant paradigm. Many fields study these processes separately (economics, environmental studies, cultural studies), but I believe that the only way to make sense of our current historical conjunction in politically and ethically relevant ways is to investigate these processes together.

What makes post-2008 Spain such an optimal context to investigate these cultural processes?

It is an optimal context due to the dramatic changes in the social metabolism of the region during the last few decades (rapid economic growth, accelerated ecological destruction, massive adoption of cultural consumerism and an energy-intensive lifestyle) that resulted in a post-2008 long economic and social crisis. These changes are crucial to understand the acritical celebratory rhetoric of growth and modernization that resulted into the current socioecological crisis. Spain exemplifies a very intense and accelerated case of neoliberal globalization rise and fall (but it is also a region where many innovative and vibrant counterhegemonic practices and narratives are emerging).

You mention that some areas covered in Postgrowth Imaginaries have often been ignored in Iberian cultural studies. Are there any key areas you think it’s important to highlight which have previously been ignored?

The inextricable entanglements among ecological processes, economic paradigms, and cultural changes are undertheorized in Spanish cultural studies. Not many cultural scholars in my field take seriously how cultural sensibilities influence material and energy flows and how specific ecologies, energy regimes, and urban infrastructures condition and shape our cultural, political, and aesthetic possibilities. Fortunately, these topics are receiving more attention in the last few years.

How does this volume pave the way for future research on the topic?

I hope that this intervention will encourage more Iberian cultural scholars to develop a more systemic, posthumanist, and ecological understanding of culture. I would love to see more research projects in my field that are informed by political ecology and environmental humanities.

What are you going to be working on next?

I am now working on a project that converges energy humanities and urban cultural studies. In this work I explore the interrelations among cultural sensibilities, political power, and energy technologies. I believe that studying Iberian contemporary cultures from this angle can be illuminating, as it reveals how dominant cultural imaginaries can only be maintained by completely ignoring the nonrenewable and environmentally destructive substance that fuels petro-capitalism and made it both historically feasible in the past and biophysically impossible as a future option. I am interested in exploring how certain arrangements of energy power and urban infrastructure support the dominant cultural imaginary in Spain (and the other way around) and how such arrangements could be modified to facilitate the emergence of counterhegemonic cultures that are socially desirable and ecologically viable.

 

For more information on Postgrowth Imaginaries please visit our website or read it for free on Modern Languages Open.

 

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News

Postgrowth Imaginaries now openly available on Modern Languages Open

Liverpool University Press is delighted to announce that the second monograph to feature on Modern Languages Open is Postgrowth Imaginaries: New Ecologies and Counterhegemonic Culture in Post-2008 Spain by Luis I. Prádanos.

Postgrowth Imaginaries brings together environmental cultural studies and postgrowth economics to examine radical cultural shifts sparked by the global financial crisis. The globalization of an economic culture addicted to constant growth destroys the ecological planetary systems while failing to fulfil its social promises. A transition toward what Prádanos calls ‘postgrowth imaginaries’—the counterhegemonic cultural sensibilities that are challenging the growth paradigm—is well underway in the Iberian Peninsula today.

Chloe Johnson, Commissioning Editor for Modern Languages, said, ‘We are very excited to be publishing a second monograph on Modern Languages Open. Open Access is something we are eager to support and I am thrilled that Luis’ book will be freely available on MLO.’

Luis I. Prádanos says, ‘Postgrowth Imaginaries pushes to enlarge the space of what is visible, thinkable, intelligible, perceptible, sayable, and, more importantly, desirable. I hope that if we persist in the construction of postgrowth imaginaries, we may eventually be able to displace the dogmatic neoliberal sequestration of reality and its monologic motto, ‘there is no alternative’. Politics, as Rancière insists, ‘replaces the dogmatism of truth with the search for conditions of possibility’. We desperately need to envision postgrowth imaginaries in which to invest our affects, identities, energy, and creativity. Our (good) life quite literally depends on it. Our lack of political imagination (or, more accurately, our obduracy in maintaining our attachment to the harmful growth imaginary) is undermining such conditions of possibility. My hope is that this book does its humble part in contributing to our communitarian and collaborative search for the conditions of possibility for socially desirable and ecologically viable postgrowth societies to emerge.’

On reviewing the book, Katarzyna Olga Beilin from the University of Wisconsin said “Prádanos’s book will become a necessary reference for all those who will subsequently write about post-growth, environmental studies in the Spanish/Iberian context and related subjects” and Luis Moreno-Caballud from the University of Pennsylvania said that the work “constitutes an urgent, enlightening, and empowering reflection about a crucial subject of our time”.

You can find out more about the book here and read it for free here.

Liverpool University Press is a proud supporter of Open Access publishing with over 40 OA monographs currently available. You can find out more about our OA policy here and browse some of our OA titles on the OAPEN library